SocialEast Seminar on Art and Espionage at the Courtauld Institute, 27 February 2009
This SocialEast symposium considers the involvement of art during the Cold War with espionage, both on the level of international exchange and in specific national contexts. It deals with attempts within the Eastern Bloc to monitor artists through surveillance and networks of informers, the role of art espionage as an instrument of Sovietisation, and the methods used to control the [...]